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عن المسرحية: يحيى: عرفت الصعوبة؟.. راغب: أبداً... دا شئ بسيط… يحيى: بسيط؟… راغب: في غاية البساطة... يعنى انت بالعربي يلزمك مجرم، تدرسه قبل الجريمة وبعدها... انتهينا... أترك لى أنا الموضوع!... يحيى: أترك لك أنت؟… راغب: طبعاً... دا موضوع يهمنى ما يهمك... الجزء الثالث لو نشرنا فيه كل دراستك دى، استفيد أنا و أنت... وساعتها لو حضر الزبون إياه أقدر أحط الكتاب في عينه، وأقول له إن الأستاذ المؤلف درس كل شئ بنفسه... إيه رأيك؟… يحيى: فعلا... شئ عظيم... لكن... درست إيه بنفسى؟... حدد لى الموضوع من فضلك؟... تقصد إيه بالظبط؟… راغب: وأننا قصدت حاجة؟... انت اللي قلت… يحيى: قلت إيه؟… راغب: قلت المجرم والمعمل والمكروب... وحاجات كدا… يحيى: فعلا قلت... إن المكروب شئ والمجرم شئ آخر… راغب: وإن الصعوبة هى وضعه في أنبوبة اختبار… يحيى: تمام هى دى الصعوبة… راغب: افرض يا دكتور… انه أمكنك وضعه في الأنبوبة… يحيى: يبقى شئ مهم جداً… في غاية الأهمية… لكن دا طبعاً مجرد فرض… راغب: لا أبداً… دا شئ ممكن يتحقق… يحيى: يتحقق؟!..
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Tawfeek Al Hakeem

He was born in Alexandria and died in Cairo. An Egyptian writer and writer, one of the pioneers of Arabic novel and playwriting, and one of the prominent names in the history of modern Arab literature. Over successive generations of writers, his famous play Ahl al-Kahf in 1933 was an important event in Arab drama, as this play was the beginning of the emergence of a theatrical trend known as mental theatre. Despite the prolific production of Tawfiq al-Hakim, he wrote only a few plays that could be represented on stage. With a great deal of depth and awareness, his theatrical movement was called mental theater due to the difficulty of embodying it in a theatrical work, and Tawfiq Al-Hakim was well aware of this, as he said in one of the press interviews: “Today I set my theater within the mind and make the actors ideas move in the absolute of meanings wearing the clothes of symbols, that is why it expanded The gap between me and the stage, and I did not find an bridge that transmits such works to people other than the printing press.Al-Hakim was the first author who was inspired in his theatrical works with topics derived from the Egyptian heritage, and this heritage was inspired by this heritage through its different eras, whether they were Pharaonic, Roman, Coptic or Islamic, but some critics They accused him of having what they described as pharaonic tendencies, especially after his novel The Return of the Spirit.

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