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Queer Images: A History of Gay and Lesbian Film in America

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English

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334

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excellent

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Book Description

Queer Images chronicles representations of lesbian, gay, bisexual, and queer sexualities over one hundred years of American film. The most up-to-date and comprehensive book of its kind, it explores the ever-changing images of queer characters onscreen as well as the work of queer filmmakers and the cultural histories of queer audiences--from the works of discreetly homosexual filmmakers during Hollywood's Golden Age and classical Hollywood's attempt to purge _sex perversion_ from films, to queer exploitation and physique films, cinematic responses to AIDS, and how contemporary Hollywood deals with queer issues. An essential volume for film buffs and anyone interested in sexuality and culture.
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Harry M. Benshoff

Dr. Harry Benshoff's research interests include topics in film genres, film history, film theory, and multiculturalism. He has published essays on Dark Shadows fan cultures, blaxploitation horror films, Hollywood LSD films, and Brokeback Mountain. He is the author of Monsters in the Closet: Homosexuality and the Horror Film. With Sean Griffin he co-authored America on Film. He was also the co-editor of Queer Cinema: The Film Reader. His most recent books include Dark Shadows, A Companion to the Horror Film, and Film and Television Analysis: An Introduction to Theories, Methods, and Approaches. At UNT, Dr. Benshoff regularly teaches a wide array of film studies classes, including "Film and Television Analysis," "African American Film," "Lesbian, Gay, and Queer Film and Video," and "Gender and Sexuality in the Horror Film." He also teaches a graduate seminar in qualitative media theory every year, and a rotating series of "Film Authors" classes on such noted directors as David Cronenberg, Federico Fellini, Ken Russell, and Robert Altman. Born and raised in Pennsylvania, Dr. Benshoff earned a BA in English from Franklin and Marshall College in Lancaster, Penn., in 1985. He attended Jefferson Medical College in Philadelphia for almost three years before he decided to follow his primary interest in life: film and media studies. He then earned an MA and a PhD in Critical Studies at the University of Southern California's prestigious School of Cinema-Television. He taught at the University of California, Santa Cruz, for three years before coming to UNT.
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