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Proust and Signs: The Complete Text
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Gilles DeleuzeNumber Of Downloads:
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Book Description
In a remarkable instance of literary and philosophical interpretation, the incomparable Gilles Deleuze reads Marcel Proust's work as a narrative of an apprenticeship-more precisely, the apprenticeship of a man of letters. Considering the search to be one directed by an experience of signs, in which the protagonist learns to interpret and decode the kinds and types of symbols that surround him, Deleuze conducts us on a corollary search-one that leads to a new understanding of the signs that constitute A la recherche du temps perdu.
In Richard Howard's graceful translation, augmented with an essay that Deleuze added to a later French edition, Proust and Signs is the complete English version of this work. Admired as an imaginative and innovative study of Proust and as one of Deleuze's more accessible works, Proust and Signs stands as the writer's most sustained attempt to understand and explain the work of art.
Gilles Deleuze (1925-1995) was professor of philosophy at the University of Paris, Vincennes-St. Denis. With F?lix Guattari, he coauthored Anti-Oedipus (1983) and A Thousand Plateaus (1987). Among his other works are Cinema 1 (1986), Cinema 2 (1989), Foucault (1988), The Fold (1992), Essays Critical and Clinical (1997), and Francis Bacon (2003), all published by the University of Minnesota Press.
Richard Howard has received the American Book Award and the PEN Translation Medal. He teaches in the School of the Arts at Columbia University.
Gilles Deleuze
Gilles Deleuze (French Gilles Deleuze) (18 January 1925 – 4 November 1995) was a French philosopher who wrote on philosophy, literature, film, and the fine arts from the early 1950s until his death in 1995. Plateau 1980, co-writing both with psychoanalyst Felix Guattari. His metaphysical treatise Difference and Repetition (1968) is considered by many scholars to be one of his greatest creations. Philosopher Adrian William Moore ranks him among the "greatest philosophers", citing Bernard Williams' criteria for a great thinker. Although he has described himself in the past as "pure metaphysics," his work has influenced a variety of disciplines across philosophy and art, including literary theory, post-structuralism, and postmodernism.
Gilles Deleuze, along with many Marxist-inspired neo-Spinosists such as Louis Althusser, Étienne Balibar, and Antonio Negri, was one of the key figures in the great flowering of Spinoza studies in continental philosophy in the late twentieth and early twenty-first centuries (or the rise of French Spinoism post-structuralist-inspired), which was Spinoza's second revival in history, after Neo-Spinozism of great importance in German philosophy and literature in about the late eighteenth and early nineteenth centuries. Deleuze's preoccupation with and reverence for Spinoza is well known in contemporary philosophy. As Pierre Macherry stated, “An important part of Deleuze's work is devoted to reading philosophers: Stokes, Leibniz, Hume, Kant, Nietzsche, Bergson, etc. But an individual position on this list will be assigned to Spinoza, because of the philosophical interest with which he corresponds.
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